Yu Cheng is an internationally renowned pipa and guqin virtuoso, scholar and specialist in Chinese music. She holds degrees in Chinese music from the Xi’an Conservatory of Music, China (BMus.) and the School of Oriental and African Studies (SOAS), University of London (MMus, PhD).
Yu Cheng performs, records and researches both traditional and contemporary Chinese music, and does cross-cultural music collaborations. She is the founder of the UK Chinese Music Ensemble and London Youlan Qin Society and currently teaches the pipa and guqin at SOAS.
Born to an artistic family in Beijing, she grew up in the Gobi desert in Gansu, Northwest China where her family had been exiled during the “Cultural Revolution”. She studied the Pudong style of pipa with her father from the age of 7 and was later trained by experts in the Pinghustyle of pipa.
Yu Cheng held her first concerts at the age of ten. At the age of 13 she won first prize in the National Youth Competition for the Performance of Traditional Instruments. She studied the guqin both with Professor Li Xiangting and at the Xi’an Conservatory where she graduated with distinction in pipa and qin performance in 1987.
After winning the “outstanding pipa player” award in China in the same year she was selected as a pipa soloist in the prestigious China Central Orchestra of Chinese Music in Beijing. Since the 1990s she has been based in London and has performed over 600 concerts at venues such as the Purcell Room, Queen Elizabeth Hall and Duke’s Hall in London.
She has toured in Europe, Asia, Canada and the USA, has worked on various musical creations with organisations such as WOMAD, Grand Union, the London Sinfonietta, the Lyon Ensemble Orchestra Contemporain, the Avignon Orchestra, the Edinburgh String Quartet and World of Strings.
In 1995 Yu Cheng completed her Masters degree in Ethnomusicology, in 2004 she completed her PhD on the ancient music of Xi’an, both at the School of African and Oriental Studies (SOAS), University of London. She is currently teaching pipa, guqin and Chinese ensemble classes there.
Her recent research projects include the recreation of the 5 stringed pipa (lost since the 8th century Tang Dynasty) which won her major awards from Women in Music, the Arts Council of England and the Arts and Humanities Research Council.